Andjar Asmara
Indonesian journalist, film director, and dramatist
Nº Q4754513 ★★★
Rare · People
Andjar Asmara
Indonesian journalist, film director, and dramatist
Abisin Abbas (Indonesian pronunciation: [aˌbisɪn ˈabas]; 26 February 1902 – 20 October 1961), better known by his pseudonym Andjar Asmara (Indonesian pronunciation: [ˌaɲd͡ʒar asˈmara]), was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Born in Alahan Panjang, West Sumatra, he first worked as a reporter in Batavia (modern-day Jakarta).
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From Wikipedia
Abisin Abbas (Indonesian pronunciation: [aˌbisɪn ˈabas]; 26 February 1902 – 20 October 1961), better known by his pseudonym Andjar Asmara (Indonesian pronunciation: [ˌaɲd͡ʒar asˈmara]), was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Born in Alahan Panjang, West Sumatra, he first worked as a reporter in Batavia (modern-day Jakarta). He became a writer for the Padangsche Opera in Padang, where he developed a new, dialogue-centric style, which later spread throughout the region. After returning to Batavia in 1929, he spent over a year as a theatre and film critic. In 1930 he joined the Dardanella touring troupe as a writer. He went to India in an unsuccessful bid to film his stage play Dr Samsi. After leaving Dardanella in 1936, Andjar established his own troupe. He also worked at a publishers, writing serials based on successful films. In 1940 he was asked to join The Teng Chun's company, Java Industrial Film, helping with marketing and working as a director for two productions. After the Japanese occupation, during which time he stayed in theatre, Andjar made a brief return to cinema. He directed three films in the late 1940s and wrote four screenplays, which were produced as films in the early 1950s. He published a novel, Noesa Penida (1950). Afterward he worked for the remainder of his life writing serials based on local films and publishing film criticism. Historians recognise him as a pioneer of theatre and one of the first native Indonesian film directors, although he had little creative control of his productions.
Text: Wikipédia, CC BY-SA 4.0. · Image: Uncredited photographer for Doenia Film (Public domain) ·