Anna May Wong

Chinese American actress (1905-1961)

Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese-American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned vaudeville, silent film, sound film, television, stage, and radio.

Nº Q232376 ★★★

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Anna May Wong

Chinese American actress (1905-1961)

Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese-American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned vaudeville, silent film, sound film, television, stage, and radio.

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From Wikipedia

Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese-American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned vaudeville, silent film, sound film, television, stage, and radio. Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. Frustrated by the stereotypical supporting roles she reluctantly played in Hollywood, Wong left for Europe in March 1928, where she starred in several notable plays and films, among them Piccadilly (1929). She spent the first half of the 1930s traveling between the United States and Europe for film and stage work. Wong was featured in films of the early sound era, and went on to appear in Daughter of the Dragon (1931), with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932), Java Head (1934), and Daughter of Shanghai (1937). In 1935, Wong was dealt the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading role of the Chinese character O-Lan in the...

Text: Wikipédia, CC BY-SA 4.0. · Image: Paramount photo (Public domain) ·

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