Arabic maqam
Melodic mode system in Arabic music defining pitches, patterns, and melodic development for composition and improvisation; built on heptatonic scales with habitual phrases and important notes, without a fixed rhythmic component
In traditional Arabic music, maqam (Arabic: مقام, romanized: maqām, literally "ascent"; pl. مقامات maqāmāt) is the system of melodic modes. The word maqam in Arabic means place, location or position. The Arabic maqam is a melody type.
Nº Q12826678 ★★
Uncommon · Knowledge
Arabic maqam
Melodic mode system in Arabic music defining pitches, patterns, and melodic development for composition and improvisation; built on heptatonic scales with habitual phrases and important notes, without a fixed rhythmic component
In traditional Arabic music, maqam (Arabic: مقام, romanized: maqām, literally "ascent"; pl. مقامات maqāmāt) is the system of melodic modes. The word maqam in Arabic means place, location or position. The Arabic maqam is a melody type.
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From Wikipedia
In traditional Arabic music, maqam (Arabic: مقام, romanized: maqām, literally "ascent"; pl. مقامات maqāmāt) is the system of melodic modes. The word maqam in Arabic means place, location or position. The Arabic maqam is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabic art music". There are 72 heptatonic tone rows or scales of maqamat. These are constructed from augmented, major, neutral, and minor seconds. Each maqam is built on a scale, and carries a tradition that defines its habitual phrases, important notes, melodic development and modulation. Both compositions and improvisations in traditional Arabic music are based on the maqam system. Maqamat can be realized with either vocal or instrumental music, and do not include a rhythmic component. An essential factor in performance is that each maqam describes the "tonal-spatial factor" or set of musical notes and the relationships between them, including traditional patterns and development of melody, while the "rhythmic-temporal component" is "subjected to no definite organization". A maqam does not have an "established, regularly recurring bar scheme nor an unchanging meter. A certain rhythm does sometimes identify the style of a performer, but this is dependent upon their performance technique and is never characteristic of the maqam as such." The compositional or rather precompositional aspect of the maqam is the tonal-spatial organization, including the number of tone levels, and the improvisational aspect is the construction of the rhythmic-temporal scheme.
Text: Wikipédia, CC BY-SA 4.0. ·
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