Ars moriendi
15th century Latin texts
The Ars moriendi ("The Art of Dying") are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages. It was written within the historical context of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century.
Nº Q174268 ★★
Uncommon · Knowledge
Ars moriendi
15th century Latin texts
The Ars moriendi ("The Art of Dying") are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages. It was written within the historical context of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century.
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From Wikipedia
The Ars moriendi ("The Art of Dying") are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages. It was written within the historical context of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century. The earliest versions were most likely composed in southern Germany. It was very popular, translated into most West European languages, and was the first in a western literary tradition of guides to death and dying. About 50,000 copies were printed in the incunabula period before 1501 and further editions were printed after 1501. Its popularity declined as Erasmus's treatise on preparing for death (de praeparatione ad mortem, 1533) became more popular. There was originally a "long version" and a later "short version" containing eleven woodcut pictures as instructive images which could be easily explained and memorized. These woodcut images were circulated in both print and individual engravings. They could then easily be pinned to a wall for viewing. The authors of the two texts are unknown, but assumed to be Dominican churchmen, as they echo Jean de Gerson's publication, the Opusculum Tripartitu, containing a section named De arte Moriendi. Gerson may have been influenced by earlier references in 'compendia of faith' dating back to the thirteenth century, but the content was uniquely his own.
Text: Wikipédia, CC BY-SA 4.0. · Image: Wikimedia Commons (Public domain) ·
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