Cut the Crap
1985 studio album by the Clash
Nº Q1146382 ★★
Uncommon · Music
Cut the Crap
1985 studio album by the Clash
Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon (the latter of whom is nevertheless absent from the album).
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From Wikipedia
Cut the Crap is the sixth and final studio album by the English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon (the latter of whom is nevertheless absent from the album). Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes (who produced the album under the pseudonym "Jose Unidos") and Strummer fought each other for control over the band's songwriting and musical direction. Strummer and Rhodes co-wrote most of the songs. During production, Rhodes took charge of the arrangements, track sequencing and the final mix. His production choices, which rely heavily on Strummer's preference for synthetic drum sounds and Rhodes's own inclusion of sampling, were widely derided. One writer described the album's sound as brash and seemingly "designed to sound hip and modern—'80s style!" Rhodes chose the album title, taken from a line in the 1981 post-apocalyptic film Mad Max 2. The recording process and tension between Rhodes and Strummer left other band members disillusioned. White's and Sheppard's contributions are almost entirely absent in the final mix, all of the bass parts were provided by former Blockheads bassist, Norman Watt-Roy and Howard was replaced by an electronic drum machine. Epic Records hoped the album would advance the Clash's success in the United States, and planned an expensive video for a lead single. On release, Cut the Crap was maligned in the UK music press as "one of the most disastrous [albums] ever released by a major artist". Strummer disowned the...
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