Dandy

A dandy is a man who places particular importance upon physical appearance and personal grooming, refined language and leisurely hobbies. More narrowly, a dandy refers to a self-made man both in person and persona, who emulated the aristocratic style of life and dress especially during the late 18th and early 19th centuries in Britain and France, regardless of his middle-class origin, birth, and background. This type of man became a kind of stereotype, subculture, or stock character. Early manifestations of dandyism were Le petit-maître (the Little Master) and the musk-wearing Muscadin ruffians of the middle-class Thermidorean reaction (1794–1795). Modern dandyism, however, emerged in stratified societies of Europe during the 1790s revolution periods, especially in London and Paris. Within social settings, the dandy cultivated a persona characterized by extreme posed cynicism, or "intellectual dandyism" as defined by Victorian novelist George Meredith; whereas Thomas Carlyle, in his novel Sartor Resartus (1831), dismissed the dandy as "a clothes-wearing man"; Honoré de Balzac's La fille aux yeux d'or (1835) chronicled the idle life of a model French dandy whose downfall stemmed from his obsessive Romanticism in the pursuit of love, which led him to yield to sexual passion and murderous jealousy. In the metaphysical phase of dandyism, the poet Charles Baudelaire portrayed the dandy as an existential reproach to the conformity of contemporary middle-class men, cultivating the idea of beauty and aesthetics akin to a living religion. The dandy lifestyle, in certain respects, "comes close to spirituality and to stoicism" as an approach to living daily life, while its followers "have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking … [because] Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not...