Danse Macabre
Artistic motif on the universality of death
Nº Q473450 ★★★
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Danse Macabre
Artistic motif on the universality of death
The Danse Macabre (; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death. The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer.
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From Wikipedia
The Danse Macabre (; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death. The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. It was produced as memento mori, to remind people of the fragility of their lives and the vanity of earthly glory. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme (apart from 14th century Triumph of Death paintings) was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. In 1874 the French composer Camille Saint-Saëns wrote Danse macabre, Op. 40, a haunting symphonic "poem" for orchestra. It premiered 24 January 1875.
Text: Wikipédia, CC BY-SA 4.0. · Image: Michael Wolgemut (Public domain) ·