Noble savage

In Western anthropology, philosophy, and literature, the myth of the noble savage refers to a stock character who is uncorrupted by civilization. As such, the "noble" savage symbolizes the innate goodness and moral superiority of a primitive people living in harmony with nature. In the heroic drama of the stageplay The Conquest of Granada by the Spaniards (1672), John Dryden represents the noble savage as an archetype of Man-as-Creature-of-Nature. The intellectual politics of the Stuart Restoration (1660–1688) expanded Dryden's playwright usage of savage to denote a human wild beast and a wild man. Concerning civility and incivility, in the Inquiry Concerning Virtue, or Merit (1699), the philosopher Anthony Ashley-Cooper, 3rd Earl of Shaftesbury, said that men and women possess an innate morality, a sense of right and wrong conduct, which is based upon the intellect and the emotions, and not based upon religious doctrine. In 18th-century anthropology, the term noble savage then denoted nature's gentleman, an ideal man born from the sentimentalism of moral sense theory. In the 19th century, in the essay "The Noble Savage" (1853), Charles Dickens rendered the noble savage into a rhetorical oxymoron by satirizing the British romanticisation of Primitivism in philosophy and in the arts made possible by moral sentimentalism. In many ways, the myth of the noble savage entails fantasies about the non-West that cut to the core of the conversation in the social sciences about Orientalism, colonialism and exoticism. One question that emerges is whether an admiration of "the Other" as noble undermines or reproduces the dominant hierarchy, whereby the Other is subjugated by Western powers.