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Pin Ups

1973 studio album by David Bowie; covers album

Nº Q1648300 ★★★

Rare · Music

Pin Ups

1973 studio album by David Bowie; covers album

Pin Ups (also referred to as Pinups and Pin-Ups) is the seventh studio album by the English musician David Bowie, released on 19 October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring glam rock and proto-punk versions of songs by 1960s bands who were influential on Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd.

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From Wikipedia

Pin Ups (also referred to as Pinups and Pin-Ups) is the seventh studio album by the English musician David Bowie, released on 19 October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring glam rock and proto-punk versions of songs by 1960s bands who were influential on Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd. The album was recorded from July to August 1973 at the Château d'Hérouville in Hérouville, France, following the completion of the Ziggy Stardust Tour. It was Bowie's final album co-produced with Ken Scott. Two members of the Spiders from Mars backing band contributed, Mick Ronson on guitar and Trevor Bolder on bass, while Mick Woodmansey was replaced by Aynsley Dunbar on drums. Following a surprise announcement at the end of the tour that the Spiders were breaking up, tensions were high during the sessions, which was reflected in the tracks. The album cover, featuring Bowie and the 1960s supermodel Twiggy, was taken in Paris and originally intended for the cover of British Vogue magazine. Released only six months after Aladdin Sane and preceded by a cover of the Merseys' song "Sorrow" as the lead single, Pin Ups was a commercial success, topping the UK Albums Chart, but received negative reviews from critics, who criticised the songs as generally inferior to the originals. Retrospective reviewers have described it as uneven, while others believe it had a good premise but suffered from poor execution. Bowie's biographers have noted it as an experiment in nostalgia. Some publications have regarded it as one of the best cover albums. It has been reissued numerous times and was remastered in 2015 as part of the box set Five Years (1969–1973).

Text: Wikipédia, CC BY-SA 4.0. ·

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