Piyyut

Jewish liturgical literary and music genre

Nº Q781402 ★★★★

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Piyyut

Jewish liturgical literary and music genre

A piyyuṭ (plural piyyuṭim, Hebrew: פִּיּוּטִים / פיוטים, פִּיּוּט / פיוט pronounced [pijˈjut, pijjuˈtim]; from Koine Greek: ποιητής, romanized: poiētḗs, lit. 'poet') is a Jewish liturgical poem, usually designated to be sung, chanted, or recited during religious services. Most piyyuṭim are in Mishnaic Hebrew or Jewish Palestinian Aramaic, and most follow some poetic scheme, such as an acrostic following the order of the Hebrew alphabet or spelling out the name of the author.

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From Wikipedia

A piyyuṭ (plural piyyuṭim, Hebrew: פִּיּוּטִים / פיוטים, פִּיּוּט / פיוט pronounced [pijˈjut, pijjuˈtim]; from Koine Greek: ποιητής, romanized: poiētḗs, lit. 'poet') is a Jewish liturgical poem, usually designated to be sung, chanted, or recited during religious services. Most piyyuṭim are in Mishnaic Hebrew or Jewish Palestinian Aramaic, and most follow some poetic scheme, such as an acrostic following the order of the Hebrew alphabet or spelling out the name of the author. Many piyyuṭim are familiar to regular attendees of synagogue services. For example, the best-known piyyuṭ may be Adon Olam "Lord of the World." Its poetic form consists of a repeated rhythmic pattern of short-long-long-long (the so-called hazaj meter). It is so beloved that it is often sung after many synagogue services after the ritual nightly recitation of the Shema and during the morning ritual of putting on tefillin. Another beloved piyyuṭ is Yigdal "May God be Hallowed," which is based upon the thirteen principles of faith set forth by Maimonides. Scholars of piyyuṭ today include Shulamit Elizur and Joseph Yahalom, both of whom formerly taught at Hebrew University and are now retired. The author of a piyyuṭ is known as a pay(e)ṭān (פיטן); the plural is pay(e)ṭanim (פיטנים).

Text: Wikipédia, CC BY-SA 4.0. · Image: Simhah ben Yehudah ha-Sofer, completed 28 Teveth 5033 (20 De... (Public domain) ·

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