Agharta

1975 live album by Miles Davis

Nº Q4027056 ★★

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Agharta

1975 live album by Miles Davis

Texto en inglés

Agharta is a 1975 live double album by American jazz trumpeter, composer, and bandleader Miles Davis. By the time he recorded the album, Davis was 48 years old and had alienated many in the jazz community while attracting younger rock audiences with his radical electric fusion music.

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Texto en inglés Aún no hay artículo en tu idioma: extracto en inglés.

Agharta is a 1975 live double album by American jazz trumpeter, composer, and bandleader Miles Davis. By the time he recorded the album, Davis was 48 years old and had alienated many in the jazz community while attracting younger rock audiences with his radical electric fusion music. After experimenting with different line-ups, he established a stable live band in 1973 and toured constantly for the next two years, despite physical pain from worsening health and emotional instability brought on by substance abuse. During a three-week tour of Japan in 1975, the trumpeter performed two concerts at the Festival Hall in Osaka on February 1; the afternoon show produced Agharta, and the evening show was released as Pangaea the following year. Davis led a septet at the concert; he, saxophonist Sonny Fortune, and guitarist Pete Cosey were given space to improvise against a dense backdrop of riffs, electronic effects, cross-beats, and funk grooves from the rhythm section – drummer Al Foster, bassist Michael Henderson, guitarist Reggie Lucas, and percussionist James Mtume. Davis controlled their rhythmic and musical direction with hand and head gestures, phrases played on his wah-wah processed trumpet, and drones from an accompanying electronic organ. The evolving nature of the performance led to the widespread misunderstanding that it had no compositional basis, while its dark, angry, and somber musical qualities were seen as a reflection of the bandleader's emotional and spiritual state at the time. Agharta was first released in Japan by CBS/Sony in August 1975 just before Davis temporarily retired due to increasingly poor health and exhaustion. At the record label's suggestion, it was titled after the legendary subterranean city. Davis enlisted Japanese artist Tadanori Yokoo to design its artwork, which depicted the cityscape of an advanced civilization with elements inspired by Eastern subterranean myths, Afrofuturism, and ufology....

Texto: Wikipedia en inglés, CC BY-SA 4.0. · Imagen: Rvb (CC BY-SA 3.0) ·

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