De Materie

EN Texto en inglés Aún no hay artículo en tu idioma: extracto en inglés.

De Materie (Matter) is a four-part vocal and orchestral work by Dutch composer Louis Andriessen, written over the period 1984 to 1988. While many consider this work to be an opera, Andriessen classifies it as a "large theatrical fourt-part work" and not an opera. The title of the work was inspired by a moment when Andriessen had observed a contrabassoon and a double bass performing in an orchestra together. He realized that while the two instruments are from different families and do not make sound in the same way, they are both made of wood, or the same "matter". Robert Wilson directed the first staging of the theatrical work on 1 June 1989 at the Muziektheater, Amsterdam, with James Doing, Wendy Hill, Beppie Blankert and Marjon Brandsma as the soloists at the premiere. In the US, part 2 of the work, "Hadewijch", was performed at the Tanglewood Festival in 1994. The complete work received its first US performance in 2004 at Lincoln Center, New York City. "Hadewijch" received its UK premiere at the 1993 Huddersfield Contemporary Music Festival. The UK premiere of the full work was at the Meltdown Festival in 1994. The work incorporates eclectic musical influences, ranging from Johann Sebastian Bach and Igor Stravinsky to the old Netherlands chanson "L'homme armé" and 20th-century boogie-woogie. The work opens with 144 iterations of the same chord played fortissimo (very loud) and features an extended solo for two large metal boxes played with hammers. The texts are both sung and spoken. The four sections of the work incorporate various texts, with the dates of composition of each section in parentheses: Part 1 ("De Materie", 1986–1987): the 1581 Plakkaat van Verlatinge (Act of Abjuration), with a text on shipbuilding by Nicolaes Witsen and the Idea Physicæ of David van Goorle – 25:29...