Ziggy Stardust

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Ziggy Stardust is a fictional character created by the English musician David Bowie, and was Bowie's stage persona during 1972 and 1973. The eponymous character of the song "Ziggy Stardust" and its parent album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), Ziggy Stardust was retained for Bowie's subsequent concert tour through the United Kingdom, Japan and North America, during which Bowie performed as the character backed by his band the Spiders from Mars. Bowie continued with a similar character in his next album Aladdin Sane (1973), which he described as "Ziggy goes to America". Bowie retired the character in October 1973 after one final show at The Marquee in London. As conveyed in the title song and album, Ziggy Stardust is an androgynous, alien rock star who came to Earth before an impending apocalyptic disaster to deliver a message of hope. After accumulating a large following of fans and being worshipped as a messiah, Ziggy eventually dies as a victim of his own fame and excess. The character was meant to symbolise an over-the-top, sexually liberated rock star and serve as a commentary on a society in which celebrities are worshipped. Influences for the character included English singer Vince Taylor, Texan musician the Legendary Stardust Cowboy, and Japanese kabuki theatre. Ziggy Stardust's exuberant fashion made the character, and Bowie himself, staples in the glam rock repertoire well into the 1970s, defining what the genre would become. The success of the character and its iconic look propelled Bowie into international superstardom. Rolling Stone wrote that Bowie's Ziggy Stardust was "the alter ego that changed music forever and sent his career into orbit". The Rise and Fall of Ziggy Stardust and the Spiders from Mars has become Bowie's second most popular album in terms of record...