Hyperart Thomasson
A useless structure that has been preserved, as part of a built environment, which has become a piece of art in itself
Nº Q11321390 ★★★★
Super rare · Savoirs
Hyperart Thomasson
A useless structure that has been preserved, as part of a built environment, which has become a piece of art in itself
Thomasson or Hyperart Thomasson (Japanese: Tomason トマソン or Chōgeijutsu Tomason 超芸術トマソン) is a type of conceptual art named by the Japanese artist Akasegawa Genpei in the 1980s. It refers to a useless relic or structure that has been preserved as part of a building or the built environment, which has become a piece of art in itself.
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Texte en anglais Pas encore d'article dans ta langue : extrait en anglais.
Thomasson or Hyperart Thomasson (Japanese: Tomason トマソン or Chōgeijutsu Tomason 超芸術トマソン) is a type of conceptual art named by the Japanese artist Akasegawa Genpei in the 1980s. It refers to a useless relic or structure that has been preserved as part of a building or the built environment, which has become a piece of art in itself. These objects, although having the appearance of pieces of conceptual art, were not created to be viewed as such. Akasegawa deemed them even more art-like than art itself, and named them "hyperart". In recent years there has been a resurgence of interest in Thomasson, especially since the publication of Akasegawa's work on the subject in English in 2010.
Texte : Wikipédia en anglais, CC BY-SA 4.0. · Image : yosukesan (CC BY 2.0) ·
