Give Up

2003 studio album by The Postal Service

Nº Q577717 ★★

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Give Up

2003 studio album by The Postal Service

Texto em inglês

Give Up is the only studio album by the American electronic duo the Postal Service. The album released on February 19, 2003, through Sub Pop Records.

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Texto em inglês Ainda não há artigo no seu idioma: trecho em inglês.

Give Up is the only studio album by the American electronic duo the Postal Service. The album released on February 19, 2003, through Sub Pop Records. The Postal Service was a collaboration between singer-songwriter Ben Gibbard, best known for his work with indie rock band Death Cab for Cutie, and musician Jimmy Tamborello, who also records under the name Dntel. Gibbard rose to prominence in the early 2000s as frontman of Death Cab, while Tamborello gained a cult following as a pioneer of contemporary glitch music and electronica. The two first collaborated with the song "(This Is) The Dream of Evan and Chan", for Dntel's debut album, Life Is Full of Possibilities (2001). The album is a long-distance collaboration between Gibbard, who lived in Seattle, Washington, and Tamborello, who resided in Los Angeles, California. The duo named the project for their working method: the pair would send demos on burned CD-R's through the mail, adding elements until songs were complete. The LP's sound contrasts manipulated samples and keyboards with live guitar and drums—a sound some have described as "indietronica". Tamborello was responsible for the programming, while Gibbard wrote lyrics, provided vocals, and contributed additional instrumentation. Give Up also features guest appearances from vocalists Jenny Lewis of Rilo Kiley and Jen Wood, as well as musician Chris Walla, who was an instrumentalist, songwriter, and producer for Death Cab for Cutie. Give Up was released with little promotion—the group embarked on a brief tour together, but otherwise returned to their main projects. Despite this, the album grew in popularity steadily in the ensuing years, bolstered by the singles "Such Great Heights" and "We Will Become Silhouettes". By the end of its first decade, it had sold 1.2 million copies in the U.S., making it Sub Pop's second-biggest selling album in its history....

Texto: Wikipédia em inglês, CC BY-SA 4.0. · Imagem: unknown; permission given by Sub Pop Records (Joan Hiller) (CC BY-SA 2.5) ·

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